AUTOBAHN (BE)
BARTLEBY & CO (BE)
BHV (FR)
BRUNO ROBBE EDITIONS (BE)
CLAUDE CLOSKY (FR)
CLEAN PRESS (BE)
DASEIN (FR)
DENICOLAI & PROVOOST (BE)
DIALOGIST-KANTOR (BE)
E IL TOPO (IT)
EGON VAN HERREWEGHE (BE)
ELODIE HUET (FR)
ENSEMBLE N°3 (FR)
ETS DECOUX (BE)
FLORENCE LOEWY (FR )
GERARD HERMAN (BE)
GOOD TIMES AND NOCTURNAL NEWS (SE)
IDOINE EDITION (FR)
INCERTAIN SENS (FR)
INDEKEUKEN (BE)
JAP (BE)
KEYMOUSE (BE)
KOMPLOT (BE)
LA HOULE (BE)
LA LETTRE VOLEE (BE)
LE NOUVEAU REMORQUEUR (BE)
LISE DUCLAUX (BE)
LORD NELSON (BE)
LUSTRE EDITIONS (BE)
NAZI KNIFE (FR)
POSTINDUSTRIAL ANIMISM (FR)
RISIKO PRESS (BE)
SOLDES FIN DE SERIES (FR/BE)
SPELL MY NAME (FR)
SUPER STRUCTURE (BE)
TABBERT (MULTI / ARBA-ES A) (BE)
THE BELLS ANGELS (FR)
ULTRA ECZEMA (BE)
YANN SERANDOUR (FR)
CURATED BY KOMPLOT & JAP
Komplot
Ludovic Beillard and Romain
Komplot
Blunt x Skensved looking at Good Times & Nocturnal News.
Thorsten Beansch at his table
Table of Publishing section of the Académie des Beaux-Arts de Bruxelles
Idoine and Spell My Name publishing houses
La lettre volée publishing house
Audrey Cottin showing her contribution in the book by Kasper Bossmans and Marte Ramm Fortun published by Komplot
Komplot
Denise Tyfuss and Vaast Colson
Komplot with Douglas Park
Juan d'Outromon at the table of Industrial Animism and Herg School
Ivo Provost and Simona Denicolai
Komplot with Douglas Park
Komplot table
JAP table with Thibaut Blondiau